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The Regrade Disasters

By Michael Herschensohn

The following is the third in a series of guest blog posts submitted by members of the Historic Seattle community. The views and opinions expressed in guest posts are those of the authors and do not necessarily reflect the positions of Historic Seattle.

If you have an idea for a future post, please send a draft to info@historicseattle.org. You can review the guidelines here.

Between 1929 and 1930, a wee bit of Queen Anne (that part east of 5th Ave. N., west of 9th Ave. N. and bound by Denny Way on the south and Broad St. on the north) got washed into Elliott Bay as part of the third Denny Regrade. Our bit formed the northeast corner of the project. The lowering of Denny Park, the city’s first park, was a big part of the work even though purists will say the park isn’t in Queen Anne at all!

I’ve known that for a very long time and ever since I moved back to Seattle in 1985, I’ve wondered why. Stumbling on a paper written some 42 years ago, I discovered the reason. Having returned in my first old age at age 36 to graduate school to study historic preservation planning and architectural history, I took Seattle as the subject of many assignments. After all, I had just spent four years teaching at the UW, so Seattle history became my go to topic.

R.H. Thomson, courtesy of Paul Dorpat

I prepared that paper (“The Denny Regrade”) for a class in the history of American urban planning with the dean of the field, Professor John C. Reps. My paper traced the history of the regrade projects. The first one took place between 1898 and 1899 when city engineer Reginald Heber Thomson (1856-1949). convinced city officials to remove a portion of the hill on the north end of Seattle’s downtown. Thomson had been the city engineer for nearly a decade when the project began. He was obsessed with fostering the city’s economic growth and sure that expanding the business district out of the pit in which he saw it trapped would help the city grow. Thomson defined the pit as the land between the mud flats south of Yesler Way and Denny Hill.

Washing the hill away, courtesy of the Seattle Public Library

The first regrade washed away First Avenue from Pine Street to Denny Way. The second regrade (1903-1911) took down Denny Hill from Second Avenue to Fifth between Pike and Cedar.  The third one occurred between 1928 and 1930 as a nutty response to the second one after it failed to increase land values or attract the energy of the burgeoning central business district. Some say Thomson was a visionary. I see him in the same class as robber barons, those stubborn autocrats set on getting their way whatever the consequences. I forgive Thomson because his bull-headed behavior was well intended and didn’t make him rich. To be perfectly fair, Thomson had nothing to do with the third regrade. He’d moved on long before it began.

Hydraulic sluicing Seattle’s soft clay made the regrade projects easy to do. The sluices were, by the way, a common strategy for moving wet earth and were part of Seattle’s culture following the Klondike Gold Rush where stream beds were diverted through sluices to strain them for gold. By the time of the third regrade, the work got easy. Rubber conveyor belts moved the washed-out dirt to Elliott Bay where cleverly designed barges dumped it. Filled with dirt falling from the belt, the double-sided barges were towed out in the bay where they flipped over, dumped their loads and presented an empty bin ready for refilling at the shore.

The Denny Hotel in 1903, courtesy of Paul Dorpat

It seems fair to say that except for dumping tons of dirt into Elliott Bay and leveling a very big hill, the regrades flopped terribly. They did practically nothing to improve the economic vitality of the city until almost a century later when Amazon finally redeveloped that big chunk of the third regrade between 6th and 8th avenues. It is Thomson’s failure to see the possibility of the regrades failing economically that interests me.

The first regrade set the stage for the second. James Moore, owner of the huge Washington Hotel on top of Denny Hill, resisted the regrade concept that Thomson touted. Moore had bought the unfinished Denny Hotel at the tippy top of the hill from Arthur Denny, renamed it the Washington Hotel and completed it at considerable expense.

The Washington Hotel on Denny Hill after the first regrade, courtesy of MOHAI

Moore balked at tearing down his hotel and his substantial portion of the hill, but Thomson charged ahead with the first regrade making Moore’s hotel pretty inaccessible. When Moore caved in, Thomson moved forward with the second regrade. The top of the hill and the hotel began to disappear in 1906. About the same time, Moore built a new hotel, the New Washington, at Second and Stewart (today’s Josephinum) and the Moore Theatre next door. Both were completed in advance of the 1909 Alaska-Yukon-Pacific Exposition, the world’s fair held on the UW campus.

Stretching roughly from First Avenue east to Fifth and from Pike north to Cedar, the second regrade leveled about 170 feet of Denny Hill. For comparison purposes, it stood a little bit more than one third as high as Queen Anne Hill (436 feet) today. As Walt Crowley tells it, the failure of the first regrade was driven partially by being butted up to the second half which provided a dismal backdrop to the new flatlands of Belltown. Crowley also points to two other factors that stymied the redevelopment of the regrades. Both can be attributed to poor thinking by Thomson or his arrogance.

Crowley politely contends that Thomson could not have anticipated the advent of the automobile which made close in development of the city less necessary and that he had no way to understand the impact of skyscrapers such as the Smith Tower (completed in 1914). Skyscrapers increased the density of offices in the historic core and like the automobile reduced the need to expand over the land.

I’d agree that Thomson’s timing was off, but skyscrapers were already dotting New York and Chicago. Seattle got its first skyscraper, the Alaska Building, in 1904, just about the time of the second regrade, the big one, got underway. Were he the far-thinking urban planner local historians have seen in him, he would have understood the future of very tall buildings. Maybe his rural Ohio roots blinded him to this urban potential. As for the automobile, Crowley may be right. There were only a couple of thousand cars in the state when the second regrade began. The automobile was still very far from its polluting heyday, and no one could have anticipated its impact on urban sprawl. In fact, we still haven’t figured out how to manage it.

The system embraced for financing the regrades may have been the final nail in the coffin. To finance the work, the city adopted a local improvement district, a LID, just like the one recently imposed on downtown businesses to fund improvements along the waterfront. Property owners in the regrades were taxed to pay for the work under the assumption that the improvements, the lowering of the hills, would increase property values and make them rich.

It just didn’t work out that way. The new flat land of the second regrade was unnecessary and ugly. Without the need for fancy stores, homes or hotels in the new neighborhood, flop houses, bars and some tenements moved in. At the very same time Paris and New York were identifying unhealthy neighborhoods for their ultimate removal, Seattle built one.

Thomson tried to remedy the problem with the second regrade by washing the hill he’d left behind into the bay. The outcome was nearly as bad. The flop houses, bars and single room only apartments only spread. Eliminating the eastern portion of hill gave license to the down and out character of the first regrade to spread unchecked. My guess is that Prohibition didn’t hurt either.

The third regrade completed between 1928 and late 1930 eliminated what remained of the hill. Eventually, the bulk of it was bought up by the Clise family, Seattle’s most well-known real estate developers. As late as 2008, the Clise property was the largest contiguous inner-city tract of land in the United States, larger even than New York City’s 22-acre Rockefeller Center.

Now, long after I wrote that paper for John Reps, I worry about the people in government making unchallenged decisions that are transforming our world. At the end of 19th c., Thomson convinced city officials to undertake a project that transformed Seattle. Until Amazon’s recent purchase of broad swaths of the third Denny Regrade, the northern portions of Seattle’s business district were a disaster, lying fallow for over 100 years. In reviewing my paper, my fear of simply accepting the wisdom of people in power is confirmed. Of course, Thomson did some great things for Seattle, particularly the Cedar River watershed project which still provides our clean drinking water, but he garnered too much power. His biggest ideas went unchallenged, and some, such as the Denny Regrades, bore rotten fruit.

 

Michael Herschensohn trained in architectural history and preservation planning at Cornell University. He served on the Historic Seattle Council for nearly 30 years. Michael continues volunteer preservation work as president of the Queen Anne Historical Society where he regularly writes about the fabric of his neighborhood’s built environment. This piece originally appeared on the QAHS website.

Behind the Garden Walls | A Glimpse into the Allure and Surprise of the Good Shepherd Center

On October 17 Historic Seattle will hold its 5th Annual Heirloom Apple Tasting at the Good Shepherd Center (GSC). GSC lead gardener Tara Macdonald had this to say about this free event: “It captures the spirit of fall, in its simplicity and the abundance offered. It also captures the essence of the place. Like the Good Shepherd Center itself, the event has a similar element of surprise, discovery, and pride. And in the broader sense, it reflects the importance of community. This all exists because of community.”

Read on to find out what else Tara has to share from her years as the conscientious steward of the alluring Good Shepherd Center grounds.

Tell us about your connection to Seattle and how you came to be lead gardener at the GSC.

I came to Seattle for the horticultural opportunity, it’s a great place to be in the business of gardening. I had a landscaping business, but I wanted to get involved in something more plant-centric and public spaces are very important to me so when this opportunity came along it was a great fit. Here there is a great plant collection and a great backstory that adds richness to the place.

What was your earliest memory of the GSC, and what has it been like to go from that first glance to the relationship you now have with the place?

I always refer back to my first impressions because it tells me what other people’s first impressions might be. The name for Historic Seattle’s tour of the grounds is “Behind the Garden Walls,” which is fitting because there is a holly hedge that surrounds the property. Depending on what stage the hollies are in, you can see glimpses of a big historic building behind there. It has this mysterious quality to it, a quality it has had throughout history because it was a very cloistered space.

My first impression was just “wow,” and then “interesting,” as I began to walk and explore the grounds and discover the diversity of the landscape and plants. You can tell the place was created with intent, but intent from times past. You have these rich woodland settings, lawn areas, formal gardens, and even a parking lot orchard! The diversity and peacefulness is unique, and people are surprised by it. You find yourself asking, “Why was this space created, and by whom?” The place invites and encourages a lot of questions and I’ve had the opportunity to dig into those questions. In my gardening, I’d like to make those questions pop into people’s heads. The way I imagine that happening is by defining the spaces more to make the character, and therefore the history of the spaces more prominent. By doing this you wouldn’t be able to avoid the question, “Why is it like this?”

Also, my awareness of the vibrancy of the community aspect — how much goes on here, and the impact this place has on community — has grown over the years. This position comes with a lot of responsibility, to both the history and the community. It’s not about me as a gardener, or my horticultural goals or whims; it’s about the history of the place and the value of it to the community both past and present.

You developed and lead Historic Seattle’s popular “Behind the Garden Walls” tour; what have you discovered about the place through the process of developing your tour? What have tour attendees seemed surprised to learn about this place and/or its history?

That there’s more to the story than people realize. I think that’s what surprises people most, how little they know. Most people know about the place only superficially, and not very accurately. All the details are news to them…they enliven the place and explain it in ways people didn’t even think to ask.

A tour group forms a semi-circle around Tara and a sign on a tri-pod that shares information about the Good Shepherd Center grounds.

 

Do you feel personally connected to the GSC’s history in any way?

The more I’ve learned about the place the more I realize how much it’s a reflection of women’s history. It reflects how women were treated, how girls were treated, how they were seen. Even the nuns, the fact that they were here is part of the story. This was a home for women and girls of various ages, and what that says about the how society treated abused women, neglected children, “bad girls,” is intriguing to me. As a woman, you have to feel a connection to that.

I’ll say as well that outdoor space is obviously very important to me and the fact that this home, which the grounds were very much a part of, was built around the importance of outdoor space also resonates with me personally. Outdoor space was integral to providing a good home. They saw outdoor space not only as an important outlet for female energy, but also as an important part of a healthy environment.  There were ornamental gardens, and playfields, but they also included sustainable agriculture in that space to feed themselves.

How do you see the gardens and grounds foster community?

Being on site daily, I see a ton of people come through here. It offers a lot. While many people definitely regard it as a meeting place, I also hear people using words like peaceful and oasis to describe it.

I probably interact with dog walkers most because that’s a community that needs and uses a lot of green space regularly. The dogs interact so the people interact, and the same happens with children and their parents on the playground. Others come here to unwind and inevitably stop and catch up with neighbors along the way.

Each neighborhood has its own identity and I think the Good Shepherd Center and the Meridian Playground are a big part of that, at least for the immediate Wallingford community and perhaps for some further afield. So, it creates a sense of community, ownership, and identity. And it really goes beyond those who use the building and the grounds, we get people all the time who come through and ask, “Can we go in?” and they’re usually really surprised by what they find.

And of course, there’s the apple tasting! With the apples themselves as a very tangible resource, we’ve been able to do a lot over the past 4 years to build a sense of community with this event. Certainly, with the bakers (GSC community volunteers who contribute baked goods to the tasting using GSC-grown apples) it gives them an opportunity to use their time, energy, and passion to contribute and participate in the community, which is a lot of fun. It also helps by connecting the communities within the building to each other and to the community at large.

Tara hands an apple slice to a child from across the table at our annual apple tasting. The table is full of different apple varieties.

Sticks & Stones Photography

What is one thing you wish everyone knew about the GSC?

That this place exists because of the efforts of the community. The big take-home is that if you want places like this, be active in preservation. It takes the same amount of effort from the community now to continue to have places like this.

Alki Homestead: This Place Matters

This Place Matters Sign / Source: National Trust for Historic Preservation

On July 4, 2010 at 1:30 pm, many people are anticipated to gather on the sidewalk and street in front of the Alki Homestead (originally Fir Lodge) in West Seattle to declare “This Place Matters.” This grassroots campaign is meant to show broad support for the preservation of the Homestead which was damaged by fire in January 2009 and has been closed since. The event’s purpose is also to highlight the historic significance of the Homestead, a City of Seattle Landmark. Sponsored by the Southwest Seattle Historical Society with support from Historic Seattle and the Washington Trust for Historic Preservation, the photo op is inspired by the National Trust for Historic Preservation’s “This Place Matters” campaign, which is a national grassroots effort to encourage communities and individuals to recognize historic places that matter to them.

The Homestead’s “This Place Matters” photo will be uploaded to the National Trust’s website and be made widely available to local media (print and online) and through social networking. The photo event is open to the public. The Homestead is located at 2717 61st Ave. S.W., half a block from Alki Beach. The West Seattle Blog has covered the Homestead saga extensively. The Homestead was placed on the Washington Trust’s 2009 Most Endangered Historic Properties List and continues to be on its Watch List in 2010. (more…)

8 Historic Properties on 2010 Most Endangered List

Most Endangered Historic Properties Press Event in Sammamish / Photo: Eugenia Woo

About thirty people gathered under a picnic shelter in a Sammamish park on June 2 for the unveiling of the 2010 Most Endangered Historic Properties List. The drizzly weather did not stop preservation stalwarts from coming to this annual press event produced by the Washington Trust for Historic Preservation, which has been administering the Most Endangered program since 1992. Representatives from the sites spoke to the value of the resources that are endangered and why they are important in their communities. The list highlights Washington’s state’s diverse properties. The purpose of the list is to raise awareness of the challenges and opportunities facing historic resources across the state and to encourage collaboration with all stakeholders to develop preservation strategies.

Following is this year’s list of Most Endangered Historic Properties (in no particular order of importance). Photos of each property may be viewed on the Trust’s website. (more…)

Looking Back, Moving Forward: Cornish College of the Arts

“She was a small, round, plump little lady with the dynamism of a rocket, and we were all terrified of her, terrified of her tongue and in a way, terrified of her dream.” – Martha Graham

In spring 2016, the newly-opened Cascadia Art Museum in Edmonds paid tribute to the 100th anniversary of Cornish College of the Arts, founded by Nellie Centennial Cornish (1876-1956), with an exhibition curated by respected regional art historian, David Martin.

“Miss Aunt Nellie,” as she was affectionately known, was arguably the most important figure in Washington State’s cultural history. Initially trained as a pianist and in music education, Cornish taught privately in her own studio and at the University of Washington before founding the Cornish School in 1914. Nellie Cornish brought some of the finest artists in the world to perform or teach at Cornish, initiating the cross-disciplinary and collaborative elements that have survived to this day. Among the most memorable were: dancers Mary Ann Wells and her pupils, Robert Joffrey, Adolph Bolm, Michio Ito, Merce Cunningham, and Martha Graham; photographer Wayne Albee; visual artist Mark Tobey; painters Louise Crow, James Edward Peck, Frank Okada and Ebba Rapp; and sculptor Ebba Rapp. David Martin tells the story of the early years of Cornish College through paintings, prints, sculpture, drawings, and photography. He presents highlights from Nellie Cornish’s legacy, whose broad international reach influenced the fields of dance, music, visual arts, and performance.

Appropriately, he will do this in the Poncho Auditorium of the architecturally and culturally significant building designed by A.H. Albertson that housed the Cornish School (and Nellie’s own apartment) beginning in 1921. While loosely Mediterranean in style, the building was quite progressive at the time in its massing and the lack of an overhanging cornice. Its courtyard and cloister-like arcade, the Romanesque-inspired window groupings and entrance vestibule, and the ample use of polychrome terra cotta, recall an Italian palazzo. The terra cotta panels represent the performing arts. The arched banding at the entrance holds the names of great musicians, artists, and writers. Be sure to walk around the building before the program starts.

David Martin is co-owner and director of Martin-Zambito Fine Art. He is an independent arts researcher, writer, curator and historian and a leading authority on early Washington State art and artists with a particular focus on women, Japanese Americans, Gay and Lesbian, and other minorities who had established national and international reputations during the period 1890-1960. His efforts go a long way toward resurrecting the careers and reputations of many forgotten artists who made important contributions to the region’s artistic and cultural history. Martin has many exhibitions and publications to his credit and is Consulting Curator for Cascadia Art Museum in Edmonds, Washington.

Online registration is now closed.

New Historic Seattle Website!

We’ve redesigned and relaunched the Historic Seattle website!

We invite you to:

  • Explore our upcoming events and register online
  • Learn more about 40 years of projects led by Historic Seattle, saving endangered historic places, and find out the latest news on our blog (the MAin2 blog is now incorporated into our new site)
  • Tap into advocacy information and technical assistance
  • Find a preservation professional with expertise in historic buildings or landscapes
  • Join or renew your membership, make a gift, or sign up as a volunteer
  • and more!

Historic Seattle owes a debt of gratitude to Marissa Natkin, who led our efforts to create a website in the mid-1990s, and has managed our online presence for the past two decades. She was instrumental in shepherding the development of our new site.

Big thanks to Creation-1 Interactive for creating our new website!

We hope you’ll find our new site easy to navigate and informative! If you have any feedback on your experience using our new site, please contact Membership & Communications Manager Dana Phelan at danap@historicseattle.org.

Vote Now! Help Restore Washington Hall

Help Historic Seattle raise funds to restore Washington Hall and create a permanent home for community arts and culture organizations.  It’s easy—just vote!

The American Express Partners in Preservation initiative is granting $1,000,000 to deserving historic sites in the Seattle-Puget Sound area. American Express and the National Trust for Historic Preservation have selected twenty-five sites, including Washington Hall, to take part in the initiative and the winner will be determined by your vote.

With your help, we can raise the money to restore Washington Hall!

  1. Vote for Washington Hall! You can vote once a day through May 12th, 2010.
  2. Spread the word!  Tweet, post on Facebook, forward this email, and shout it from the rooftops!

Historic Seattle thanks you for your support!

Follow Washington Hall on Facebook.

Visit the new Washington Hall website.

About Washington Hall

Located in the Seattle’s Squire Park neighborhood in the Central District since 1908, Washington Hall has been a place for the community to gather, celebrate and learn for over 100 years.  With a rich history of hosting pivotal musicians like Jimi Hendrix, Duke Ellington and Count Basie, and trailblazing activists such as W.E.B. du Bois, Marcus Garvey, and Martin Luther King Jr, to serving as a gathering place for the Danish Brotherhood in America and Sons of Haiti, community dances and gatherings, Washington Hall is poised to serve as an important community landmark for years to come.

Washington Hall | Central District

About Member Meetings: Four times a year, Historic Seattle invites its members and the public to learn about programs and projects of interest taking place in our community and through the auspices of Historic Seattle. Held at sites of historic or architectural interest, these events include social time with light refreshments and a short quarterly business meeting before the program.

Built in 1908 by the Danish Brotherhood, Washington Hall celebrates 110 years in 2018.  Washington Hall has continuously served as a hub for social and cultural activities reflecting a broad array of ethnic communities. Although the Hall had been in consistent use as a performance space since its construction, it had fallen into disrepair and was in danger of demolition before Historic Seattle negotiated a purchase in 2009. The Hall is a Seattle Landmark and listed on the National Register of Historic Places.

After a $9.9M capital campaign to fully restore Washington Hall, the building reopened in June 2016. It now serves as a permanent home for community arts and cultural organizations. The nonprofit arts organizations, who have been anchor partners in our project since 2010, are also long-term leaseholders of the spaces for rehearsals, offices, and performances. The anchor groups are three arts organizations with a focus on social justice. These organizations include: 206 Zulu, an internationally recognized coalition that engages youth, low-income people, and people of color in social change through innovative programs involving hip hop music, arts and culture; Voices Rising, an intergenerational showcase of queer performers of color that provides support for local, up-and-coming artists through mentorship opportunities; and Hidmo Cypher, a People of Color (POC) collective that prioritizes those being displaced by gentrification and provides home for community grounded liberation work through music, art, food, and culture. Our anchor groups will share their missions and their work with attendees.

Free and open to the public. Donations accepted.

Registration for this event has closed.

EmBracing Retrofits: Gridiron Condominiums

By the Gridiron team

This month Historic Seattle is embracing retrofits and HeartBombing unreinforced masonry buildings (URMs).

One URM that has already been retrofitted is Gridiron Condominiums located in Pioneer Square. The century-old Seattle Plumbing Building was a four-story unreinforced masonry warehouse. It is the only triangular historic building in Pioneer Square and sits at the southern gateway of the historic district and the rising waterfront park.

Daniels Real Estate turned the four-story masonry building into condominium homes by adding seven levels of housing plus rooftop amenities, blending historic and contemporary architecture.

It took over a year to retrofit the masonry building before the glass-sheathed residences could be built on top.  The first-floor commercial space still retains the warm brick and rustic beams original to the building.

And this year, we are celebrating that the first floor will soon come back to life as office space and some type of food and beverage venue, giving us all an opportunity to enjoy this unique building.

Daniels purposefully reimagined the historic building as commercial with condominiums on top given its proximity to the Stadium District and the new waterfront.

Railroad Way, named after the railroad track that formerly ran in front of the warehouse, will be one of four pedestrian gateways that will reunite Pioneer Square to the waterfront promenade, perfect for the new retail.

For homeowners, it’s a front row seat to over 20 acres of programmed open spaces, running and walking paths, vendors, entertainment, restaurants, and much more.  In addition to living in Pioneer Square, a National Historic Register & local historic District, you’re just minutes from Light Rail with access to anywhere north, south, east, and west.

Established in 1903 and reinvented in 2018, Gridiron is a model for repurposing unreinforced masonry buildings to meet a community need, and we are very excited that the commercial spaces are soon going to be adding to the vibrancy of Pioneer Square, our city’s sweetheart neighborhood for historic masonry buildings.

Learn more about owning a piece of history.

Gridiron is a generous sponsor of Historic Seattle’s 2022 Community Education & Advocacy Programming. This post is part of a series of guest blogs submitted by members of the Historic Seattle community.  The views and opinions expressed in guest posts are those of the authors and do not necessarily reflect the positions of Historic Seattle.

Historic Seattle’s 5th Annual Preservation Awards – May 14, 2013

2013 award graphic

On Tuesday May 14, 2013, Historic Seattle hosts its Fifth Annual Historic Preservation Awards Ceremony at the Good Shepherd Center in Wallingford to acknowledge recent successes in the preservation and heritage fields locally. This year we introduce the Beth Chave Historic Preservation Award in honor of our friend and colleague who served as the Seattle Landmarks Preservation Board Coordinator for many years.

The event begins at 5:30 pm and ends at 8:00 pm. Enjoy an evening of food and drink and celebrate the award recipients. Join with old and new friends and colleagues who share a passion for preservation. Seattle City Council President will speak about preservation in Seattle. Jeffrey Ochsner introduces our 2013 Preservation Award recipients. Big thanks to the event’s Lead Sponsor KeyBank, with additional support from 4Culture.

This year, we’re raffling off some great prizes including a one-night stay at the Sorrento Hotel and dinner for two at the Hunt Club; Tom Douglas restaurant gift certificates; and some stellar Washington wine. Raffle tickets are $20 each.

Register for the awards event online by Monday, May 13 (NOON); telephone us to order tickets, 206.622.6952; or pay at the door.

Congratulations to the 2013 Award Recipients!

MOHAI/Naval Reserve Armory – The Beth Chave Historic Preservation Award for Best Adaptive Reuse Project goes to the Museum of History & Industry (MOHAI) and its supporting partners for their outstanding achievement in the adaptive reuse of the Naval Reserve Armory at Lake Union Park in the South Lake Union neighborhood.

Terry Avenue Building – The Best Rehabilitation Project Award goes to Vulcan Real Estate and its supporting partners for its exemplary approach to renovating a vernacular, brick warehouse/office building by providing needed enhancements and new uses while respecting the integrity of the original design of a Seattle Landmark.

Seattle Vineyard Church – The Best Preservation Practice Award goes to Seattle Vineyard Church and its supporting partners for a painting project that serves as an excellent model for the treatment of historic properties.

Pioneer Building Interior Storm Windows – The Exemplary Stewardship Award goes to Dr. Richard and Mrs. Dorothy Sikora, owners and stewards of the Pioneer Building, and their supporting partners for an outstanding interior storm windows project that serves as an excellent model for the treatment of historic properties.

HT Kubota Building – The Preserving Neighborhood Character award goes to HTK Management, LLC and its supporting partners preserving and enhancing the HT Kubota Building into a new mix of retail, restaurants and artist studios.

Alliance for Pioneer Square – The Community Advocacy Award goes to the Alliance for Pioneer Square for its leadership in revitalizing Seattle’s first neighborhood.

Kevin Daniels The Community Investment Award goes to Kevin Daniels for his long-term commitment investing in, preserving and revitalizing Seattle neighborhoods and landmark properties.