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New Leader of NPS Historic Preservation & Cultural Programs Announced

Stephanie Toothman and President Obama shaking hands in Washington, DC / Photo: NPS

Preservationists in the Northwest are thrilled to hear that Stephanie Toothman has been named the National Park Service’s new Associate Director for Cultural Resources.  Here’s the news release from the National Park Service, issued June 7, 2010.

Toothman to Lead Historic Preservation & Cultural Programs
Accomplished National Park Service Veteran Named to Post

WASHINGTON, DC – National Park Service (NPS) Director Jonathan Jarvis has named Stephanie Smith Toothman, Ph.D., as the Service’s new Associate Director for Cultural Resources. Toothman will be responsible for history, historic preservation, and cultural programs in 392 national parks and a host of community programs that make-up the NPS role in a national preservation partnership among federal, Tribal, state and local governments and nonprofits.  She will begin her job in mid July. (more…)

Advocacy Alert: Support City of Seattle’s Historic Preservation Program

In his proposed 2011 City Budget, Mayor Mike McGinn proposes significant cuts to the Department of Neighborhoods’ Historic Preservation Program. Here’s an opportunity for all you preservation supporters out there to let Seattle City Council know that the program is important.

Proposed Cuts and Impacts

The Mayor’s budget proposes to eliminate one of two Landmarks Preservation Board (LPB) Coordinator positions, specifically, the position that is responsible for coordinating the Board’s design review process for approximately 175 Landmarks and reviewing Landmark nominations for properties located in downtown Seattle, South Lake Union, and First Hill neighborhoods. In addition, funding for citywide surveys and inventories are proposed for elimination.

We understand that the City is facing a severe budget shortfall in 2011. However, by eliminating one of the LPB Coordinator positions, there will be significant, adverse effects on the Historic Preservation Program as a whole. The program relies on the volunteer nature of Boards and Commissions as well as neighborhood support. More than ever, it is important for the City to leverage this broad-based support to create stable, sustainable, and economically viable neighborhoods. Maintaining staff levels is critical for the continued betterment of the places that matter to us. Given the ordinance-mandated design review process for the more than 400 individual landmarks and seven historic districts, reducing staff levels will negatively impact property owners, developers, business owners, and the general public. The review of landmark nominations by the LPB will be reduced to a quarterly basis from the current twice-a-month meeting schedule. In addition, the current twice-a-month board/commission meetings for the International Special Review District, Pioneer Square Historical District, and Pike Place Market Historical District will be reduced to one meeting a month. (more…)

Research Tips for Finding Info on Seattle Architects

Architects Card Catalog, Seattle Public Library / Photo: Eugenia Woo

A lot of historical information about Seattle architects can be found online these days which makes research much easier. But there’s more info available only at the Central Branch of the Seattle Public Library and at UW Special Collections. Some history detective work is needed but that’s part of the fun. Here are some tips for researching architects using local resources (not an exhaustive list, but a good start).

Seattle Public Library Architects Card Catalog and Scrapbooks:

These resources are located on the 10th floor Hugh and Jane Ferguson Seattle Room of the Central Branch Seattle Public Library. Many of Seattle’s architects from the twentieth century (particularly the mid-twentieth century) are represented in the catalog. You can find index cards of architects by alphabetical order that feature references about their work or biographical information. The Architects Scrapbooks contain news clippings about Seattle architects and their projects.  These scrapbooks (now contained in archival boxes), are locked up in a glass case in the Seattle Room near the Architects Card Catalog. Just ask the reference librarian on duty for assistance. (more…)

Artists, Architects, and Artisans

Artists, Architects and Artisans: Canadian Art 1890–1918 was a groundbreaking exhibition at the National Gallery of Canada last year, looking at the interaction among artists, architects, and artisans, as well as critics and collectors from 1890-1918. Deriving their goals from both the Beaux-Arts and Arts & Crafts movements, practitioners of the various arts encouraged an aesthetic that saw art manifest in all aspects of daily life. It was an aesthetic stimulated and enhanced by international art currents.

Painters produced murals and architects designed furniture; clubs formed to bring writers, musicians, artists and architects together; and collectors and governments commissioned paintings, furnishings, and sculpture for public and private buildings. Photography rivaled painting and crafts became applied design. Curator of Canadian Art Emeritus Charles Hill explores how architecture, monumental sculpture, urban planning, mural and decorative painting, graphic design, decorative arts, and photography came together in Canada during these prosperous decades.

Charles Hill began work at the National Gallery of Canada in 1972 and was appointed Curator of Canadian Art in 1980. His exhibitions include Canadian Painting in the Thirties (1975), John Vanderpant Photographs (1977), To Found a National Gallery: The Royal Canadian Academy of Arts 1880- 1913 (1980), Morrice A Gift to the Nation, The G. Blair Laing Collection (1992), William Kurelek (1992), The Group of Seven: Art for a Nation (1995), Tom Thomson (2002), Emily Carr: New Perspectives on a Canadian Icon (2006), and Artists, Architects, & Artisans: Canadian Art 1890-1918 (2013). He has had a consistent interest in the relationships between art and society and in the integration of art in the public and private sphere. Hill was appointed a member of the Order of Canada in 2000 and received an Honorary Doctorate from Concordia University, Montreal, in 2007.

Supported by:

Heritage BC and Canadian Studies Center, University of Washington

HBC Logo
  UW-Canadian-Studies---H

Additional Promotional Support:

Canadian Consulate, Frye Art Museum, AIA Seattle, and Seattle Architecture Foundation

Photo: Interior of All Souls’ chapel, Charlottetown, Prince Edward Island / Source: National Gallery of Canada, Ottawa

Cost:
$35 general public / $25 members / $10 students

Online registration for this event has closed. Registration at the door is $35.

The Importance of Community Preservation and History: Observations by a Spring Intern

 

Melrose Building at southeast corner of Pine and Melrose.

By Guest Blogger Dylan Glenn

This spring I had the pleasure of interning with Historic Seattle as I work toward a bachelor’s degree in history at Seattle University. It was a great way for me to observe how historians work in the field as I learned about research methods and resources, local history, and how historians and preservationists can work together to protect and improve historic communities. I really admire the kind of community preservation work that organizations like Historic Seattle do, and being able to work alongside them on the Melrose Building (home to Bauhaus Books + Coffee in the Pike/Pine neighborhood on Melrose and Pine) showed me firsthand what a vital resource preservationists can be for communities; far from obstructing legitimate and beneficial commercial progress in favor of preserving outdated, irrelevant structures, Historic Seattle was able to assist a movement that began and was supported at a grassroots level. I think the publicity and the success of the Melrose Building project opened a lot of minds to the validity and importance of organizations like Historic Seattle, and the project itself certainly kept me busy during the second half of my internship!

Working on the Melrose Building project, I learned a lot about the building’s architect, John Creutzer. Creutzer was also the architect on the Times Square Building and the Medical Dental Building downtown, and many of his large apartment buildings (most of them constructed during the early-to-mid-1920s) remain prominent elements of the built environment in the neighborhoods where they reside. Seattle has a very unique built environment, and its many distinct neighborhoods have a welcoming vitality that is missing in a lot of big cities; places like Capitol Hill and Columbia City have a sense of personality and community that is usually swallowed up in the anonymity of urban sprawl. As I learned more about Creutzer and his prolific output, I realized what an impact his work has had on many of Seattle’s neighborhoods. From local institutions like Bauhaus Books + Coffee to the distinctive-looking apartment buildings such as the Granada, spread across Capitol Hill, Creutzer’s work has made a valuable contribution to the way we live, work, and connect in this city. Our success in preserving his work means more than saving a building of historic value or pleasing aesthetics, it means hanging on to part of a way of life that makes Seattle unique.

Now that my internship has ended, I have a new appreciation for preservationists’ work. I also see a possibility to make a difference in my community as an historian, moving past the image people tend to have of us as stuffy academics who live mostly in classrooms. Preservation organizations like Historic Seattle not only record and preserve history, they help shape it by empowering communities with the tools and resources that they need to preserve their values and way of life in the face of damaging change and development. By focusing on the human impact of development and property maintenance, preservationists can make a community a better place for businesses and residents alike. This element of preservation is what makes the profession so unique and so appealing from the perspective of an historian, and I am very happy to have been a part of this process as an intern. Regardless of what career path I choose after I graduate, the values I saw in action at Historic Seattle will remain important to me, and I hope, in whatever position I end up serving, to make the same kind of impact that I was able to be a part of over these last few months. 

Dylan Glenn (of Louisville, Kentucky) interned with Historic Seattle during the 2012 Spring Quarter through the Seattle University Public Histories Program. He is an undergraduate in the University Honors Program, and is working toward a B.A. in History. After graduation he is looking forward to graduate school and a career focused on archiving and research.

Broadway Performance Hall

Paid parking in garage with entrance on Harvard Avenue. Light refreshments available.

Our members meetings offer the opportunity to learn about programs and projects of interest taking place in our community and through the auspices of Historic Seattle. These events are held at sites of historic or architectural interest, and a short quarterly business meeting precedes the program.

Join us at Broadway Performance Hall for a screening of Broadway Pride: A Video History of Broadway High School. Tony Ogilvie and Alumni Association archivist Jeff Watts, who coordinated the video project, will introduce it. Seattle’s first purpose-built high school was opened in 1902 on Capitol Hill. Designed by the firm of William E. Boone and J. M. Corner, the building quickly filled with students from throughout the city—and even beyond. Its original name, Seattle High School, changed to Broadway High School in 1909. In addition to daytime academic classes, it had evening classes and a handwork and trades program at the adjoining Edison Technical School. The school closed following World War II, but its active alumni association collected papers, photographs, yearbooks, and oral histories. In 1966, Seattle Community College purchased the building. In 1974 the building was razed for a new one and only the school’s auditorium section was reused, combining stones salvaged from the front entrance on Broadway in a new façade for the renamed Broadway Performance Hall.

Photo: Broadway High School in the 1950s

Cost:
Free/Donation

Registration for this event is not required.

2018 Honorees

Leanne Olson

Beth Chave Award | Preservation Champion

The Beth Chave Award | Preservation Champion went to Leanne Olson for her continual advocacy on behalf of historic places in Seattle.

 

Hansen Building

Best Rehabilitation

The Best Rehabilitation Award was presented to Laurie & Roger Lohrer and Dock Street Properties LLC for their voluntary seismic retrofitting of the Hansen Building, a contributing part of the Ballard Avenue Landmark District.

Photo: William Wright Photography.

 

Mount Baker Park Historic District

Preserving Neighborhood Character

The Preserving Neighborhood Character Award was  presented to Friends of Mount Baker Town Center for their successful nomination of the neighborhood as a historic district on the Washington Heritage Register and the National Register of Historic Places.

Photo: Jon Roanhaus – Own work, CC BY-SA 4.0.

 

Harvard Exit

Best Adaptive Reuse

The Best Adaptive Reuse award was presented to Eagle Rock Ventures and supporting partners for maintaining the historic integrity of Harvard Exit in adapting the building for a new use as offices.

Photo: Jill Hardy, courtesy of Dovetail.

 

Don Brubeck

Living Landmark

The Living Landmark Award was presented to Don Brubeck for his extraordinary 40+ year career as an architect focusing on historic preservation projects.

 

The Parsonage

Neighborhood Investment

The Neighborhood Investment Award was presented to Parsonage Apartments and Barrientos LLC for their work saving this historic 1907 Seattle box house through adaptive reuse.

Photo: courtesy of Exxel Pacific.

 

Mount Zion Baptist Church

Preserving Community

The Preserving Community Award went to Mount Zion Baptist Church for proactively and voluntarily landmarking their building.

Photo: sourced from landmark nomination.

 

PRAG House

Exemplary Restoration

The Exemplary Restoration Award was presented to Board & Vellum for their restoration of the PRAG House, a historic Colonial Revival mansion that was ravaged by a fire.

Photo: courtesy of Board and Vellum.

 

Friends of Historic Belltown

Community Advocacy

The Community Advocacy Award was presented to Friends of Historic Belltown for their work to protect historic places in one of Seattle’s most rapidly changing neighborhoods.

Photo: courtesy of Friends of Historic Belltown.

 

Pike Place MarketFront

Inspired Expansion

The Inspired Expansion Award is presented to the Pike Place Market Preservation & Development Authority (PDA) for the MarketFront project.

Photo: courtesy of Pike Place Market, PDA. 

2009 Awards

Urban League Village

Best Adaptive Reuse Project Award

The award was presented to the Urban League of Metropolitan Seattle, Northwest African American Museum, and supporting partners for bringing new educational life to the Colman School building, a Seattle Landmark. The top two floors have 36 rental units for low- to middle-income residents, and the Northwest African American Museum is the centerpiece of an expansive thirty-acre greenbelt surrounding the structure. Photo: DKA Architecture

Wing Luke Museum

Best Rehabilitation Project Award

The award was presented to the Wing Luke Museum of the Asian Pacific American Experience for adapting the 1910 East Kong Yick building, a former single room occupancy hotel, to an appropriate new use that benefits Seattle residents and visitors alike. The Museum’s facility expands its role as an economic and community resource for a distinctly diverse neighborhood, as one of Seattle’s historic and creative treasures, and as a cultural institution of national significance. Photo: Wing Luke Museum of the Asian Pacific American Experience

Arctic Club Hotel Building

Best Adaptive Reuse Project Award

The award was presented to Arctic Club Hotel, LLC and its supporting partners their sensitive rehabilitation of one of Seattle’s best-known downtown Landmarks. The building was transformed into a 120-room hotel that welcomed its first visitors in June 2008. The Arctic Club was established in 1908 as a fraternal men’s club by the few adventurers who found their fortune in the Klondike gold rush. Photo: Arctic Club

Top Pot Doughnuts

Preserving Neighborhood Character Award

The award was presented to Michael and Mark Klebeck and Joel Radin for their commitment to preserving and adaptively reusing modest existing buildings as centers of neighborhood social and economic activity. Founded in 2002, Top Pot Doughnuts has made a name for itself with its addicting hand-forged doughnuts. With the company’s beginnings in a modest brick storefront on Capitol Hill, Top Pot has grown to four locations in Seattle and one in Bellevue (by 2009). Its Downtown, Wedgwood, Queen Anne, and Capitol Hill cafes have become social hubs for each neighborhood. Photo: Top Pot Doughnuts

Magnolia Library

Stewardship of Public Buildings Award

The award was presented to the Seattle Public Library and supporting partners for renovating and expanding the Magnolia Branch Library, creating a model preservation project that incorporated both the restoration of a mid-century landmark and the construction of a sensitive new addition that will allow the building to function as a library for years to come. Photo: SHKS Architects

Seattle Church of Christ

Community Partnership in Historic Preservation Award

The award recognized the extraordinary efforts by community advocates from Queen Anne, the Queen Anne Historical Society (QAHS), and two congregations–Seattle Church of Christ and Seventh Church of Christ, Scientist, to save and officially designate a cherished Queen Anne landmark. Originally the Seventh Church of Christ, Scientist, the building was constructed in 1926 and designed by architect Harlan Thomas. Historic Seattle and the Washington Trust for Historic Preservation assisted with preservation strategies. Photo: QAHS

Seattle Architecture: A Walking Guide to Downtown

Preservation Education and Publications Award

Seattle Architecture: A Walking Guide to Downtown is the first effort to assemble an up-to-date, factually accurate review of buildings downtown Seattle that is also compelling, readable, and celebratory. It divides the city into nine understandable and easily traversed districts and sets over 360 individual buildings within the historical, social, and economic context of their time and place. The Preservation Education and Publications Award was presented to the Seattle Architecture Foundation and author Maureen Elenga. Book cover photo: Seattle Architecture Foundation

 

 

 

Letters from an Architect: the Interior Design and Decoration of a turn-of-the-century Seattle Mansion

Please click here for the program recording on Historic Seattle’s YouTube channel. 

For a deeper dive into the Stimson legacy and preservation in our region, we invite you to purchase two of Larry’s books from our online store. Prices include sales tax, shipping, and handling. (Please allow 6-10 days for delivery.)

Join us for an exciting deep-dive into the story, design, and construction of the Stimson residence (now the Stimson-Green Mansion) from Lawrence Kreisman.

The Spokane architect Kirtland Cutter’s Seattle residence for Charles Douglas Stimson (1899-1901) introduced the English half-timbered style into Washington State at a scale that had not been attempted before. Cutter combined the ornamental vocabularies of classical, Romanesque, Moorish, Gothic, and Renaissance styles into successful residential architecture that balances grandeur and intimacy to allow for both the formal and the casual moments in his client’s lives. Cutter was also influenced by English Arts and Craft designers, most notably William Morris, Philip Webb, Mackay Hugh Baillie Scott, and Norman Shaw. He appreciated vernacular as well as high style. Indeed, he was comfortable designing rustic Swiss chalets as he was in creating mansions.

Cutter was equally committed to interiors and furnishings. His almost obsessive devotion to detail resulted in rooms that were historically derived stage sets for living and entertaining. His work set a precedent and offered a prototype that would be copied and embellished by a host of local designers in the first decade of the twentieth century. Correspondence from Cutter, along with inventory and documentary interior photographs, provide a rare, complete picture of the design industry and designer/client relationships at the turn of the twentieth century.

Lawrence Kreisman, Hon. AIA Seattle, was Program Director of Historic Seattle for 20 years and Director of the Seattle Architecture Foundation tour program from 1990-2003. He is recognized for significant work in bringing public attention to design history, the Northwest’s architectural heritage, and its preservation through courses, tours, exhibitions, lectures, articles, and 11 books

Cover photo by Nathan Tain (2016)

Historic Seattle’s virtual programming is funded in part by a grant from the Eldridge Campbell Stockton Fund for Washington of the National Trust for Historic Preservation.

The Cayton-Revels House – A Newsworthy Landmark

The Cayton-Revels House in 1909, sourced from The Seattle Republican.

The Cayton-Revels house in Capitol Hill (518 14th Avenue E.) was built in 1902 for Horace Roscoe Cayton and Susie Revels Cayton. Born into enslavement by White people in Mississippi, Horace Cayton came to Seattle in 1890 and started the Seattle Republican, the first Black-owned newspaper in the city. Susie Cayton was the daughter of the first Black American U.S. Senator and joined Horace in the newspaper publishing business becoming the city’s first female associate editor of a publication.

Taha Ebrahimi, author of the Cayton-Revels House landmark nomination.

In February 2021, The Landmarks Preservation Board (LPB) voted unanimously to nominate the Cayton-Revels House for designation as a City Landmark. The nomination was written and submitted by Taha Ebrahimi with enthusiastic support from the current owners, Erie Jones and Kathleen Jo Ackerman. Taha’s well-researched nomination report details the Cayton family experience — in which their success was inversely related to increasing racism and racist policies — and describes Seattle’s connection to the broader Black American experience.

In the following, Taha shares details about what inspired this nomination and discusses the importance of recognizing cultural significance, like that of the Cayton family, in our landmarks.

“One of my favorite books about history in Seattle is called Skid Row,” said Taha. “It’s a very popular book, and in it, there’s a whole chapter about early Seattle newspapers. Yet, the Caytons’ newspaper is never even mentioned! For some time, The Seattle Republican was the second most popular newspaper in Seattle – not just amongst Black Americans – but in Seattle!  Susie Cayton becoming the first female associate editor of the newspaper in 1900 was also hugely significant.”

 

Horace and Susie Cayton, 1896. Source: Headlines and Pictures July 1945

 

According to Taha’s research, it wouldn’t be until 1940 when another woman became an editor of one of the most-read newspapers in Seattle. “It was shocking that none of this was in there, and it was this shock that inspired me to get this place, and this part of our history, recognized,” Taha said.

Cayton Family,1904. Source: Vivian G Harsh Research Collection of Afro-American History and Literature, Chicago Public Library

According to Taha’s nomination, “Because of their business and political involvements, the Caytons were one of the most well-known Black American families in Seattle at the turn of the 20th century.” Yet, despite this and despite growing up in Seattle, Taha only recently became aware of the family’s significance. “As a student, we were required to study Washington State history. We would take field trips to places like the Klondike Gold Rush Museum, places relevant to the history of Seattle, and yet I had never heard about the Caytons. I was embarrassed that I didn’t know their story, and shocked that more people didn’t know about them. That’s when I started to learn more about the family, I got more books and I started to get deeper into the research,” said Taha.

Taha first learned about the Cayton-Revels’ residence in another book called The Hill with a Future, by Jacqueline B. Williams. “In it, they off-handedly mention the address,” said Taha. “I’d been taking these long walks during the pandemic and one day I walked by it and happened to meet one of the owners working in the yard. Quite honestly, I assumed it was already landmarked. Knowing what I knew then, I could not believe it wasn’t already designated.”

The Cayton-Revels House today, courtesy of Taha Ebrahimi.

Among those unaware of the Caytons’ legacy were also the current owners of the Cayton residence. “When they were redoing their attic, they found a couple of artifacts that had Susie Cayton’s father’s name on them. One was a marriage certificate, and the other was an ongoing tab he had at a local store,” said Taha. Susie’s father, Hiram Revels, was the first African American to serve in the U.S. Congress, elected to represent Mississippi in 1870 when Jefferson Davis abandoned his seat to become president of the Confederacy. “They found this out by Googling his name! Shortly thereafter, by coincidence some of the Cayton cousins got in touch with the owners and walked them through the rest of the story,” Taha explained.

When asked for her thoughts about the larger meaning of the unanimous vote by the LPB to nominate the Cayton-Revels House, Taha said, “I think that, until recently, there’s been a tendency to value architectural significance over cultural significance. And frankly, a lot of culturally significant places may not be architecturally significant. In that case, it begs the question, ‘What is a landmark then?’ The Seattle Landmarks Ordinance is great because cultural significance is built in as one of the qualifying criteria for designation. I think, and I hope, that the Board really wants nominations based on cultural significance. They are open to it, and I think this unanimous board vote reflects the desire to have more nominations centered around cultural significance.”

Historic Seattle’s mission is to save meaningful places that foster lively communities. We asked Taha to describe how she thinks the Cayton-Revels House fosters community. She said, “I think official recognition of any culturally significant landmark fosters community because it helps connect people with places in a personal way. This helps people feel pride and shared appreciation for our communities’ heritage, especially at a time like right now when a lot of people are trying to think about what a future looks like. When you have a shared sense of your past and that kind of foundation, I think you can move forward, together, better.”

The LPB will consider designating the Cayton-Revels House at its April 7 meeting. We encourage you to support designation through written comments and/or verbal public testimony at the hearing which begins at 3:30 pm. Send comments to the Landmarks Preservation Board Coordinator Erin Doherty by Monday, April 5 (erin.doherty@seattle.gov).